The Paris Wife by Paula McClain

Title: The Paris Wife

Author: Paula McClain

Genre: Historical Fiction

So, when launching into a novel that centers on a man’s first of four wives, one has to be open to the possibility that it’s not a happy story.   Such is the case with Paula McClain’s The Paris Wife which introduced me to Hadley Richardson; Ernest Hemingway’s first wife.   Now, this would seem to me a tough storyline to sell to a publisher~ this isn’t the wife he ended up with, it’s not even the one he lasted the longest with ...”just” the first one.

Here’s the beauty of the novel; McClain takes on what we all know to be a melancholy and hopeless tale, but speaks it through the unsuspecting eyes of Hadley Richardson.  While we, the readers, can’t help but try to identify the various and telltale warning signs that the story is peppered with, Hadley comes across as a fresh, intelligent and self-giving woman who manifests a strength and resilience that one can’t help but admire.  Indeed, she embodies those attributes so well that it’s no wonder Hemingway fell in love with her.  Her unassuming and honest nature served as a great comfort to him, and her loyalty to him is above reproach, even if completely unreciprocated.

I happen to really dig Hemingway’s novels.  If not the content, I truly love the completely transportive quality of his writing, which inevitably makes me want to swim in the ocean in the south of France, and dry off in the sun, sipping on cold, unnamed white wine in a sweating bottle.  But, after reading The Paris Wife, I’m forced to accept the fact that he was a womanizer, who tried desperately to write beautifully, and lose himself utterly into whatever experience was directly in front of him.   While the novel is labeled Historical Fiction, (I think mainly due to the first person narrative) the information it contains is traceable back to records kept by Richardson, and works by Ernest himself.

I suppose that Paula McClain’s novel is a bit like a stained glass window; a beautiful work of art whose true purpose is meant to illuminate another’s story.  I was rooting for Hadley from page one, became better acquainted with her and her illustrious husband, and finally couldn’t wait for her to reclaim herself by the end. 

Daniel Silva's Gabriel Allon Series

Titles Include: Moscow Rules/The Defector/The Rembrandt Affair/ and more!!

Author: Daniel Silva

Genre: Spy/Mystery

The Gabriel Allon series written by Daniel Silva are the most addicting spy novels you will ever read.  Gabriel Allon is an Israeli spy who is a modern Jewish hero.  He saves lives, restores justice and unveils historical secrets. This sounds like a copy of superman or any other superhero but Gabriel has so much depth compared to those guys.  He is a very talented art restorer who listens to Italian opera and appreciates beauty.  The depth continues with the revealing of his own sufferings and hardships that have contributed to this hero persona.  It is not like Hannah Montana who has “the best of both worlds”.  When you’re a spy, an occupational hazard is that you are never off duty~ even when you’re off duty.  Gabriel is a character that you would love to have coffee with, although he would not say much ….because he lives a secret life.

Daniel Silva not only has an art for storytelling and character development but intrigue as well.  Once you start one of his stories it’s so hard to put down that you find yourself shirking your duties to read and then being sad when the last page is read.  Though this is a series, each book can be read in their own right.  Silva makes sure within each book the history of the character is known. Silva also does an excellent job putting historical events, people and circumstances within the story.  As a history major I am surprised at things that are divulged and find myself looking them up for validity.

 I discovered this series upon leaving for a 6 hour road trip so I grabbed an audio version for the car ride.  I was so enthralled the time flew and the dreaded drive home was actually highly anticipated because I wanted to finish the story.

So if you love thrillers, spy novels, historical fiction, Middle Eastern relations with Europe, art history or politics this series is the set you have been looking for.

Daniel Silva please keep writing!

“Killing Pablo” by Mark Bowden

Another Guest Contribution, this one from the esteemed and incomparable Mary Boryschuk!

Title: Killing Pablo

Author: Mark Bowden

This searing, all encompassing account of the CIA and multi-national organization’s manhunt and subsequent death of Pablo Escobar is truly fascinating and proves the euphemism “Truth is stranger than fiction.”  While one is not supposed to judge a book by its cover, go ahead and do so!  A picture paints a thousand words and the image of a handful of heavily armed men brimming with delight while standing over the body of the dead drug lord like a bagged deer is enough to make anyone curious at the very least. 

Bowden, an exceptional journalist, states facts, not just about the demise of Escobar, but of the world he lived in and the country he created in Colombia fueled by funds from US citizens and their new “all the rage” habit.   The destruction Escobar wrought, the public support he bought (both with development and terror) are epic and Bowden does a masterful job of laying the landscape for the average reader unfamiliar with the details of the culture and “war on drugs” begun primarily and apparently unsuccessfully by Reagan, (unless you count the oodles of dough it brings each year to the federal government.)  Bowden covers the depths and heights of politics in both the US and Colombia and the only possibly perceived drawback in this fascinating piece of writing is perhaps the tedium of following the necessary drawing of relationships between the countries.   It is, however, well worth the trouble!  

I believe the History channel adapted the book for television in a special titled the same and, despite being a biased English teacher by profession, the book is exponentially better than the movie.  The detail which Bowden uses to describe the man, the myth, the legend of Escobar, as well as the futility of the countries that pursued him, is spellbinding.  It is eye-opening, fascinating, and whispers of the seemingly dead art of unbiased journalism. 

I can’t recall the name of it but Pablo Esobar’s son did a documentary (I believe it was on HBO) about the aftermath of his father in his own life and an attempted reconciliation with the sons of Luis Galan, a leading candidate for president of Colombia, who stood up to Escobar and paid the price with his life.  I didn’t see the whole thing but it was powerful as well.

Very Valentine & Brava Valentine by Adriana Trigiani

Title: Very Valentine, and Brava Valentine

Author: Adriana Trigiani

Genre: Fiction

Toto Says:
 

The Valentine trilogy is a refreshing look at life in an Italian-American family.  Italian American families have a very delicate balance between traditions brought over from Italy and acquired American traditions.  Each family varies on how much of each make up their family life but Italian-Americans in and of themselves are their own culture.  This beautifully written trilogy is about a single woman named Valentina who struggles with being a modern woman living New York City and yet holding on to her “old world” traditions. 

Trigiani is a wonderful writer and has proven this over and over in her several best selling novels.  In both Very Valentine and Brava Valentine the reader feels as if they are sitting at the huge family table eating pasta, drinking wine and participating in loud conversation.  This isn’t your typical romance novel. You will never guess what is going to happen next or how it ends.  So come on and walk with Valentine through the countryside of Italy, swim with her in the caves of Capri, dance with her in Argentina and stand on her rooftop garden in Greenwich Village and smell the tomatoes.  Can’t wait for Part III!

Dorothy Says:

Ok, I have one gripe about Trigiani’s books; feel free to read them and judge for yourself.  Here’s the deal: within the entirety of the extensive family structure that Trigiani has created in the Valentine books, there is not even a single example of a decent marriage.  Now, you may be rolling your eyes as you read this, sighing, and saying “Who cares???”  Well, it’s my blog, and I care.   Allow me to first preface my remarks, and then air my grievance for a bit. 

Valentine Roncalli is the central character in the books. She is a thirty-something young woman, who is happily working her way up the ladder of craftsmanship in the family shoe business and on her way to becoming a master of custom leather shoes. She is pretty, funny, and socially adept, and she is not married.  THIS IS NOT MY GRIPE!!!  I love the character, and I’m not here to even insinuate the fact that because she is not married, she is in some way unfulfilled, deficient, or leprous.  In fact, I would be vilely offended if someone did try to make that argument.

Here’s what does irritate my sensibilities:  Throughout the first two novels in the trilogy (haven’t read the third yet), the author assigns a laundry list of infidelities, desertions, and tragedies to the married couples within the story.  To those married couples in the story who escape the plague of infidelity, there are other various and obnoxious qualities attributed or insinuated: Sister A’s husband exudes a caveman-era prejudicial streak as wide as the Mississippi; Grammom (a fabulous and peppy septuagenarian) professes to never having had joy with Grandpa, and the offspring of all these marriages are either constantly obnoxious, repressed into rigidity, or vehicles for bitterness. 

Now, I’ve read more than a couple of books in my life.  I am adequately aware of the appearance of the theme of infidelity and troubled marriages within literature; many of the best works in history address this in one way shape or form.  Leo Tolstoy’s Anna Karenina, for example, is incredibly adept at portraying the joys and sorrows of the choices made by his characters.   However, I was very saddened by the incredibly wide brush of doom with which Trigiani paints matrimonial and family life in her stories.  Anyone who is married knows it sure ain’t easy, and anyone with kids knows the sacrifice that children entail.  That being said, all the freedom in the world can pale in comparison to holding your sleeping babe in your arms, or climbing under the covers to curl up next to your best friend in the entire world.   In the midst of all the day-to-day, there is an inherent and objective beauty to both Marriage and bearing children.  The fact that this was completely negated within the framework of the Valentine books is, I feel, a woeful injustice. 

 

Guest Profile on Martha Grimes

Periodically on Twine and Tin we would love to showcase the thoughts, feelings and projects of some of our beloved readers.  The following was contributed by our esteemed colleague (and Uncle :-), Mr. Allan Dash of Yarmouth Port, Massachusetts.

One of the best British mystery writers isn't British at all:

Meet Martha Grimes

“Her wit sparkles, her plots intrigue, and her characters are absolutely unforgettable.” Thus the literary critic of the Denver Post summed up the works of novelist Martha Grimes, one of the best known, most respected creators of British mystery stories -- despite the fact that she’s as American as the 4^th of July.

Born in Pittsburgh where her father was City Solicitor, she grew up there and in Western Maryland, where her mother owned and operated a hotel. Later, she earned both her B.A. and M.A. from the University of Maryland.

How did an American author end up writing British murder mysteries that are often compared favorably with those of genre giants Agatha Christie, Dorothy L. Sayers and the like?

To begin with, she’s an unabashed Anglophile. To boot, she’s an avid collector of unusual British pub names, with which she’s titled her more-than 20 murder mysteries. (One of those pubs/titles is “The Old Contemptibles.” Guess what her "official" fan club calls itself?) Finally, she’s spent large segments of her time in England, becoming comfortable with “Britishisms” – those many differences in word spellings, meanings and usages that separate us from our linguistic first cousins.

Not only has Martha Grimes mastered the language, but she’s successfully plumbed the British character as well. The Brits love eccentricity, and Ms. Grimes has created an ongoing cast of delightfully quirky characters – usually found gathered in a pub -- who provide vivid contrast to the darker side of her tales. Chief among these oddballs is Melrose Plant, a wealthy hereditary earl, who has relinquished his several titles because he got bored sitting in the House of Lords.

The central figure in all of Ms. Grimes’ mysteries is Richard Jury of Scotland Yard, a tall, handsome chief superintendent who, despite his lofty title, usually finds himself involved in the nuts-and-bolts of solving cases, frequently when he’s supposedly “on holiday.” His warm smile tends to set the female characters’ knees a-wobbling – even including, on occasion, the perpetrators’.

Early on in the series, Jury strikes up an unlikely friendship with the aristocratic Plant, who helps him – sometimes reluctantly – to solve a number of his always-intriguing cases. The former Lord Ardry (although his longtime butler insists on calling him "m'lord") would rather be with his friends at the pub, or sitting in front of the fire in his great house, a glass of port in one hand and a book of French poetry in the other, with his dog – perhaps the world’s laziest – curled up at his feet.

Many readers have come to agree with the Chicago Tribune’s literary critic, who said, “Read one of (Martha Grimes’) novels and you’ll want to read them all.”  Yours Truly has, indeed, read them all – at least twice. They’re that entertaining. 

                                                         - Allan Dash

Garlic and Sapphires by Ruth Reichl

Title: Garlic and Sapphires

Author:  Ruth Reichl

Genre: Non-Fiction

I have always thought that one of the best jobs in the world must be that of a food critic.  What could possibly be better than eating in the nation’s crème de la crème of restaurants, where the choicest chef’s parade their most elegant cuisine in front of you, all while having the tab picked up by your boss?  It’s the dinner scene straight out of Disney’s “Beauty and the Beast”. 

But what if the preparers of the fabulous, choreographed and sumptuous feast didn’t know that you were their salvation?   What if you were just a provincial local, who stumbled into the castle, hoping to sample some of its riches? Would they still go the whole nine yards to impress you, or simply toss you a PB&J and sit you in the corner?

This is the central question that Ruth Reichl decides to tackle in her deliciously constructed tome.   Arriving in New York City at the height of the 1990’s restaurant boom as the much-heralded food critic for the New York Times, Ruth is faced with a very real concern: If they (the chefs and restaurateurs) of the city didn’t know who they were serving, would the treatment received be the same? In an effort to discover the truth, our fearless heroine enlists the help of a Broadway make-up artist, and begins a cloak and dagger (minus the dagger) exploration of the underpinnings of New York’s finest offerings.   What follows is a fascinating parade of characters who receive a wide range of treatment, ranging from all-out fawning of the famous critic, to the dismal invisibility of an apparent “nobody”.

Now, to be fair, I’m a Food Network junkie, so books in this vein appeal to me.   I love food in all of its forms, be they visual, written, or best of all, actual and within reach.  Garlic and Sapphires is an eye-opening, mouth-watering tour of both haute cuisine, and hasty conclusions.

Writing Style:  Thumbs up!  Very easy to read.

 Characterization: Thumbs up~ fascinating array of all sorts.

Overall Story and Content: Thumbs Up!  Thoroughly interesting, very well executed.

The Book Thief by Markus Zusak

Title: The Book Thief

Author: Markus Zusak

Dorothy’s Thoughts:

I never anticipated laughing out loud at a book set in Germany smack-dab in the midst of WWII.   I also never thought that I would think of Death as a sympathetic narrator, with a penchant for beautiful sunsets, but this book challenged quite a bit of my preconceived notions.  The Book Thief follows a brief span of years as lived by a young girl by the name of Liesel, who is sent by her birth mother to live with a foster family, in order to save the girl from her mother’s association with communism. 

The characters in the book alone are enough to recommend it, and are depicted in such a way that the reader feels a comfortable familiarity within the space of a few chapters.  Even Death, the no-nonsense narrator shows a much softer side that what one might assume.  That being said, the fact that the narrator of the story is Death ought to give you a warning to the fact that this is not a story of wine and roses.   Written in an extremely conversational style –complete with interjections- The Book Thief is stylistically a very easy read.   Emotionally, however, the book is anything but smooth sailing.

Of the characters whom we have the pleasures of meeting, my favorites are those who are central to the story: Rudy, Liesel’s next door neighbor and best friend is of epic proportions.  Rudy is best known throughout their small village for “the Jesse Owens incident”, in which the young German boy, in homage to the great Olympian of 1933, paints himself in charcoal from his blond hair to his toes and reenacts the track star’s race in the village field.  He’s brought firmly home by his darkened ear by his mystified father.  Rudy is a continual source strength, encouragement and humor to Leisel throughout the novel, and lives for the day when he will finally earn her kiss.

Her foster family consists of her uber-foulmouthed foster mother, Rosa, and the endearing Hans Hubbermann who excels in nothing so well as in understanding Liesel.  Rosa possesses an iron will, and an exquisitely offensive turn of phrase, which more often than not expresses loving over loathing.

The Book Thief is fantastically original in its writing, achingly beautiful in its truth, and infinitely uplifting.